Didn’t you just adore Mathew Broderick's wonderful performance in the 2005 Hollywood adaptation of Mel Brooks’s Broadway hit, The Producers?  Neither did Kevin Johns.

A review of Richard Wagner's five-hour-long, musically revolutionary, half-crazed, visionary treatment of the melodramatic medieval love story of Tristan und Isolde, performed by the Metropolitan Opera of New York and broadcast live on March 22, 2008.

If the Ottawa theatre community were a family, it might look something like this.