It is crazy that we are already down to the top 10 here. Last week, we lost Dareian, Matthew, Janelle, and Amelia. This week starts out with a tribute to Gene Kelly, who would have been 100 years old when this aired. In the audience is Gene's widow, Patricia Kelly who looks like she is not a day over 60. WTF? Yikes, the internet tells me that she was 47 years his junior, and that there was bad blood between her and at least one of his other wives. Interested. Tell me more, world. 

This week we have the All-stars coming in, thank goodness. Judges are Nigel, Mary and guest judge Benjamin Millepied (responsible for choreography in Black Swan), which is hcore. 

Smell ya later, Janelle. 

Major apologies for how behind we are here. I have been away. We pick back up after a two week hiatus for the Olympics (and my absence on top of that). I miss the Olympics, y'all. Four weeks ago, I thought that Janelle deserved to be in the bottom, and I still do, of course. Tiffany and George also had to deal with a crappy NappyTabs routine. We will find out who gets ousted from those performances at the end of this show, which is ENDLESSLY CONFUSING. Cat introduces some nonsense that I don't care to talk about, and then shows us a pretty cute picture of NappyTabs' new little baby. She also shares that this entire episode is a tribute to Mia Michaels, who has choreographed some of this show's most beautiful routines. Mama Mia is in the audience (with her crazy hair), and we learn that tonight's show will feature 7 recreations of Mia's most famous routines. This should be fun. 

At (Cult)ure we're in the business of producing written words, but that doesn't mean that we don't enjoy things like spoken words or words set to music or things that don't have words at all. So each week we'll bring you a small collection of non-written things that we enjoyed.

Best Podcast: On Being, "Roseanne Cash"

Maybe I was always predisposed to enjoy a podcast with Roseanne Cash. Hearing her talk about music and the particular angle of her father's back that she knew best were perhaps to be expected, but "mystery" and playing with an interactive table of elements? Now that's good stuff. 

No sooner did we publish the (Cult)ys, our first annual ridiculously specific TV and cinema awards, than all manner of other awards I could have given started to flow freely in my brain. I've decided to call these forgotten awards "outliers"* and post them as they come to me, so they can live in infamy (or just on the internet. One or the other). So, let's kick it off with . . .

Best Shrimping Boat Redemption of a Previously Thought Un-redeemable Character
Sonny (Michiel Huisman), Treme

Over the course of the first season of Treme, it was made clear that every character, no matter how horrible s/he seemed, had redeeming qualities. Everyone, that is, except Sonny. Sonny was a not-particularly talented musician/drug addict who cheated on and hit his girlfriend. If he had died between seasons, I doubt he would be have been missed. When Season 2 began, Sonny may not have had a girlfriend anymore, but he still had a drug and attitude problem. He was either in constant danger of being kicked out of Antoine's (Wendell Pierce) band (his one and only source of income) or actually kicked out of it. So imagine our surprise when one of Sonny's fellow bandmates (Cornell Williams) sized Sonny up, pronounced that he was "in no danger of becoming no great musician," and took him out to the coast to put him to work on a shrimping boat. I don't know if it was the hard work, the sea air, or getting clean that did it, but, by the end of the season, Sonny was not only doing better work with the band, he was dating a nice girl who's father runs a shrimp company. Oddly enough, now I want to see if those two kids can work it out. 

CHAIR! So close, and yet so far. Yup, that's about what I got out to last night's Gossip Girl, "Riding in Town Cars with Boys." Otherwise, Nate and Serena make the same plan they always make, only Dan's in this time; Ivy finally finds a reason to get out of Dodge already; and Rufus continues to be Goofus to the nth degree. Let's go over the highlights!

All you need is one

Apparently, all you need to become a super-successful newsman in NYC and the Vanderbilt’s last, great hope to lead the family is one editorial. At least that's what Nate's latest plot has taught me. Grandfather's ousted the still delicious Tripp from the position of crown prince thanks to an editorial (seriously. Because the paper isn't a daily or anything, so you only need to write one total editorial). So Tripp tattles to Nate that he isn't exactly the super-successful newsman he thinks he is, what with the Grandfather underwriting everything and putting Diana up to it. Nate is pissed, but then he forgets to be pissed because he's off to some wondrous high business/high debauchery retreat with Grandfather by the end of the episode. Also, somehow Max figures into Tripp's plans. Highlights: Toss up between Chuck telling Nate he was almost aroused by the one total editorial or the reverent look on Chuck's face when he repeats the name of the retreat (Allen Camp?). I started to wonder by boy-billionaire Bass hadn't already gotten his invite, then shuddered at the memory of the sex Narnia/Elle debacle. Except for one small part: CARTER BAIZEN! Oh, come back, I miss your pouty mouth.

The finals are here! It seems like we have been at this for a very long time. And by we, I mean me. Hope Solo was thankfully sent home last week, leaving us with three deserving finalists. We have the inspiring J.R. Martinez (a veteran who was badly injured while serving the U.S. military), former talk show host Ricki Lake, and relative of "famous" people, Rob Kardashian. If you had told me when we started this season that I wouldn't be actively rooting against Rob this week, I would not have believed you. He still isn't my favourite, but he has worked hard and earned his spot in the finals. Also, I love his partner, Cheryl. For the finale show (which is thankfully just one hour), each of the couples have just two dances including a fun freestyle round, and they get to have a teaching session with one of our esteemed judges as well.  

Ricki Lake and Derek (Cha Cha Cha):

Despite rocking all over the place the week prior, Alaric is nowhere to be seen in last week’s The Vampire Diaries, “The Reckoning.” I guess he needed to recharge the AWESOME before dropping it on us again (next time!). In the meantime, Caroline’s obsession with doing normal, fun, teenage things ends disastrously (yet again) for pretty much everyone involved: Matt, Elena, Tyler, Bonnie, Stefan, and Klaus and Rebekah to a certain extent. Even Damon gets his feelings hurt. Things go slightly better for Katherine, but it’s really only a matter of time.

Mystic Falls is Afraid of Locks

So Matt is working out at high school by himself at night. I'm pretty sure you can't just bust into the weight room like that. To the point where we needed supervision just to use it during normal school hours at my high school. But we all know the townsfolk of Mystic Falls don’t stand on little things like legal liability. A shadow runs by, and Matt runs after it because he is so sad that even ghost friends seem like a good company to him. Instead, he finds Tyler, Caroline, Bonnie, and Elena setting up mousetraps all over the floor in an empty classroom because . . . it’s senior prank night. And none of his alive (or undead, in Caroline’s case) friends invited him. Thanks, guys? And you wonder why Matt is so lonely that he WANTS to be friends with a ghost. Outside of Casper, of course. We all want to be friends with Casper, right? Devon Sawa was so cute back then!

Here's something: I discovered/realized that I never posted or even wrote a recap for The Vampire Diaries' Season 2 finale, "As I Lay Dying," but I did keep my notes. I type them while I watch, as my viewing companions can attest. With the exception of correcting a typo or two, I've decided to post them for you in full, so you can use them as a quick reminder before Season 3 kicks off tonight. Also because I'm hardly going to write a full recap at this late date. 

• A full minute of previouslies!
• Elena watches Jer sleep . . . I guess she's just checking on him, but it's weird. Mostly because of the artful streaming light.
• Damon shows up teary-eyed to apologize. Elena needs time and maybe a lot of it before she'll be ready. "Sure, of course. Take all the time you need."
• Damon enjoys an old bottle o'booze he's clearly been saving and pulls off his ring front of a window.
• Stefan jumps him hard core!
• And tosses him in the cellar of self-pity!
• Always the hero, Stefan. Just tell me goodbye and get it over with.
• Klaus wakes up naked in the woods and says to his brother, "That was amazing." While his brother casually rains down clothes.
• He was a wolf a full two days.
• Klaus won't give up the info.
• Alaric is wicked drunk at the Grill when Stefan calls him about Damon: What do you need? AW.
• Caroline insists that they persevere at a outside screening of Gone With the Wind.
• Stefan and Bonnie hold a seance, and Bonnie starts channeling Emily.
• That's not balance; that's punishment.
• The bitches of eastwick give Bonnie stabbing pains because they think she's abusing her powers, but she manages to catch one word: Klaus.
• Of course it is. Fucking Klaus.
• Lady Mayor shows up making demands of Sheriff to deal with the town's vampire problems, as she is not keeping the town safe. Dun!
• Look who couldn't resist an epic romance.
• Stefan gives Elena the truth about Damon, so she can make it right/accept his apologies.
• Damon's hallucinating back to his Katherine days, and Elena shows up to point out that Katherine was only ever using him.
• Stefan starts with Alaric's, which is indeed still infested with Katherine and Klaus. Too bad Klaus just stabbed him with a silver blade. And now he's got Stef up against a post. Hmm.
• Stake to Stefan's stomach! Even tortured, Stefan thinks of his brother: just give me the cure, and I'll do whatever you want.
• You are just shy of useless.
• My subconscious is haunting me, Ric.
• Alaric doesn't blame Damon for Jenna.
• Give me your glass. Neither one of us is drunk enough for this conversation.
• Kill me, please.
• Screw you.
• Elena arrives, but the Sheriff is there to cause trouble with her deputies.
• Sheriff locks Alaric in the blood closet then busts into the self-pity cellar. Man, she doesn't even remember her tenure there!
• You keep doing this! You left me behind before, and Jenna still died.
• Oh, dear, Stefan's reputation as a bloodcoholic and ripper has proceeded him.
• Oh, shit, it's Klaus's blood that's the cure, and he only wants to deal with the ripper.
• Damon's trippin' balls at the Gone with the Wind screening. It's taking him back.
• Elena's stuck in the Sheriff's office.
• Jer brings Damon to the Grill, where the Sheriff shows up to shoot him. Too bad Damon dodges, and Jer takes the wooden bullet. Caroline and Bonnie break in, and Caroline feeds Jer her blood, but it might be too late. Good fucking job, Sheriff.
• Alaric's here now, too.
• Bonnie seems to think she can save him, so Alaric carries him away.
• Brave little toaster throws a chair through the office window and busts on out of there.
• That's too bad. You would have made a helluva wing man.
• Klaus will give Stefan his blood in exchange for a decade long bender. You do everything I say and I save your brother, that's the deal.
• Stefan shotguns a blood bag, and then another. He makes some hilariously angry faces while he's at it. Hee.
• Bonnie brings Jer the witches, but they don't want to help Bonnie. There will be consequences.
• He's just a kid, tell them to shut up.
• Finally, Bonnie begs for Emily's help. She loves Jer.
• All the fire goes dead, and Bonnie cries in the darkness, but Jer comes to.
• Atlanta is burning when Elena finds Damon.
• He gets all confused with drinking Katherine's blood to turn and bites into Elena. It's super creepy, with Elena saying things like no and stop and you don't have to do this and you're hurting me. After a few sips, though, he figures out that it's Elena and stops, collapsing.
• Caroline gets the call that Jer's alive. Sheriff thought she killed him. You did.
• Caroline tells Sheriff about the time she compelled her. Finally, they hug and cry.
• Jer and Bonnie have a very sweet talk, and Alaric shows up to maybe stay and mock him for good.
• Damon's taken to his sick bed and into Elena's arms.
• All those years I blamed Stefan. No one forced me to love her. It was my own choice. I made the wrong choice. Tell Stefan I'm sorry, okay?
• Stefan is mad drunk, you guys. He's on a bender something fierce.
• Klaus compels Katherine to take the blood over, but we all know Katherine's on vervain. Stefan mumbles a no, but it's too late. Katherine's gone.
• Damon thinks he deserves to die, but Elena doesn't. She forgives him.
• Damon finally tells Elena that he loves her.
• You should have met me in 1864. You would have liked me.
• I like you now, just the way you are. And she kisses him just once: goodbye.
• Katherine does show up, as she owed Damon.
• Stefan, on the other hand, gave himself over to Klaus.
• Oh, it's okay to love them both? I did.
• STFU, Katherine! You make no sense!
• Klaus knew Katherine was on vervain, and now he wants Stefan to help track her down.
• "What is it you really want from me?" "All will be explained in time."
• Klaus brings in another teen and gets her started. Wow, that sounds gross. Stefan finishes her while the world shakes. His eyes glows a scary blue when he drops the body.
• Jer wakes up 'cause there's some weird mystical shit afoot. Weird mystical shit like Vicki and Anna chillin' in his kitchen.
• Next time: there is no next time! Not for months!

The votes have been cast, the dances, done. We have made it to the end of the road, and it is time for the best episode of a very good show- the finale results! This is when the show brings out the very best routines of the season, all at once. Amazing! Let's get to the fun. 

We start with a group number that looks very Tayehesque. It is hard to pick out who everyone is because of big wigs and costumes, but I think it is the entire top 20. For the girls I only really notice Ryan and Jordan. The guys are a bit easier to spot, with Jess, Ricky and Mitchell standing out. Our final four come out the end looking intense. Cat is wearing a really adorable tight mini dress (but with three quarter sleeves). The dress is red sequin-y, and really cute. Cat tells Sonya "by god, you are weird"...fair (and she means it in a flattering way). 

I’d share with the extent of my disappointment with the last couple episodes of True Blood, but, since my 32 day-old computer died, I can’t really. Suffice it to say that I put a hell of lot of effort into “I Wish I Was The Moon” and none into “Cold Grey Light of Dawn” since it was largely about people feeling their feelings. Last night’s episode, “Spellbound,” got a bit more into the action, though some of it still felt  like wheel-spinning and contrivance for contrivance’s sake. Still, Hot Bill, Eric and Sookie getting stoned, and Martonia getting a pet aren’t so bad. Lafayette getting possessed and thus further drawn into that damnable baby plotline? Not so much. Where’s Jesus when you need him?

Silver is Not like a Band-Aid

Jessica’s all ready to bust open the doors and die very slowly and painfully out in the sun (remember, the younger a vamp is, the slower s/he burns). Fortunately, Jason’s there to jump her, boot the doors shut, and wrap darling Jessica in Bill’s zebra rug. Heh. Bill’s redecoration has not gotten old for me. Did he hire someone? I mean, surely to do all the work, but did he hire someone to help him with the colour palette and all that? My favourite thing about Bill is what Bill gets up to when we’re not looking, e.g., buying a Wii and Fresca, and that hasn’t changed over four seasons. It’s just icing that Bill is hot all the time now.

Last night’s True Blood, “Me and the Devil,” was another week of not much going on, but a lot of pieces were moved into place for things to go batshit in the weeks to come. For now we’re treated to some heavy philosophy, bouncing from religious freedom to heaven and hell to the nature of evil. Spectral Godric makes a very bad appearance, Adele makes a very good one from the Great Beyond, Lettie Mae resurfaces, King Bill’s life gets a little worse, Jason’s life gets a little better, and Tommy becomes a skinwalker. Best part? Not a single second in Horrible Hot Shot.

What about War and Self-Defence?

Joe-Lee’s still got that chain around Tommy’s neck at the top of the hour, and Melinda is running around alternating yelling at Joe-Lee not to kill Tommy and Tommy to be nicer to his dad. Melinda has gone from being tragic victim of violence to full-on crazy lady for me. Kill ‘em both, Tommy. And he does! Hurray! He plays dead a little, then brains Joe-Lee with a pipe. He keeps having to throw his crazy mama off his shoulder, and eventually Melinda doesn’t get up from one of those falls. “Mama?” he gaps into the credits.

The Lexicon: an occasional feature in which we identify movie/TV lines worth repeating.

Source: Al Swearegen (Ian McShane), Deadwood, "Suffer the Little Children" (S1, E8)

Usage: A job well done.

Ho, boy. Last night’s True Blood, “If You Love Me, Why Am I Dyin’?” had a whole lot of only a few of things: horrible Crystal in horrible Hot Shot, approximately 1000 new faces from Puppy Eric, and rape. Talking about it, threatening it, seeing it happen. If you know me, then you know that’s my line, so I don’t know how I am going to deal with the fallout. I’ll probably comfort myself with the triumphant return of Alcide.

This is . . . my house?

Out by the side of the road, the camera makes sure to lovingly pan up from Puppy Eric’s bare feet (called it!), revel in his naked torso, and come to rest on his handsome, confused face. Fangs out, he wonders anew why Sookie smells so good, but this time he’s a little more descriptive: “Like wheat (sniff) and honey (sniff) and sunshine.” Sookie: “You know perfectly well why I smell . . . the way that I do.” She punctuates this with a pert little nod, like, this topic is no longer open for discussion, and I marvel at the idea that Sookie/Anna Paquin was ever considered a weak link on this show. We couldn’t be luckier to have her, folks. Puppy Eric, however, pays no never mind to the naysayers and leans into the car to, I don’t know, take a big whiff. Sookie hits the gas, makes it all of a couple of hundred feet while watching Puppy Eric in the rear view, then stops when she doesn’t see him anymore. Forsooth, Sookie. Try to remember that time he punched a giant dent into the front of your car. Was that her car or was it Bill’s? If it was her’s, you know he got that fixed up, too. Do you think it’s significant that her car and her house are yellow? Is it related to her sunshiny-ness? Item reserved. So Sookie’s looking around when Puppy Eric reappears and pounces on her through her open window. Sookie screams us into the credits.

If “She’s Not There,” was set up, then last night’s True Blood, “You Smell Like Dinner,” is rapid payoff. Sure, a lot of it is just pushing forward everyone’s season arcs, but it feels less like soapy wheel spinning (secrets and lies) and more like actual things happening. Say what you will about True Blood; this show can cram a helluva lot of plot into an hour. Check it: Tara’s back, Crystal’s back, Bill flashes back, Eric flashes back, Sookie runs all over town trying to figure out how not to be Eric’s, and Pam gives some really good advice. Also, Louis Pasteur? Total vampire. Someone update that entry, STAT.

Two Sookies Enter, Only One Can Leave

Despite how we left things, with Eric advancing on Sookie fangs out and Sookie’s robe in his hand, Sookie’s hurrying down the stairs of Stackhouse Shack while tying her robe and denying that she will ever be Eric’s. Alright, let’s just get this one out of the way upfront, so we can concentrate on the proceedings: WHAT KIND OF AN IDIOT DOESN’T WANT TO BE ERIC’S? SIGN ME UP! Ahem. Right, so, Eric zips down the stairs and tells it like it is: Sookie’s blood tastes like freedom and sunshine. While vampires may not realize it or why, that’s what they smell when they smell her. Sookie asks petulantly if Eric is threatening her (get a clue, Sook). He explains that on the contrary, Sookie’s going to need protection, and, straightening up to his full height of GIANT, he can offer that protection. Sookie will take her chances and flounces off to the kitchen, but Eric’s not going to rest his case quite that fast. He also, as you may recall, owns this house. Sookie snaps back that the house doesn’t come with her inside it, and Eric fires off that if that is the case, he “grossly overpaid.” I still think it’s gross that Eric considers Sookie transitive property or property of any kind, really.

The Lexicon: an occasional feature in which we identify movie/TV lines worth repeating.

Source: Michael Bluth (Jason Bateman), Arrested Development, "Key Decisions" (S1, E4)

Usage: Shit happens.

The Lexicon: an occasional feature in which we identify movie/TV lines worth repeating.

Source: Jenny Humphrey (Taylor Momsen), Gossip Girl, "Summer Kind of Wonderful" (S2, E1)

Usage: Awkward conversation ender. It's your new "end scene."

By dropping period trappings on that ass, of course! Playbill has series of two minute shorts called "Jersey Shore Gone Wilde" in which dialogue is lifted from Jersey Shore and given an Oscar Wilde treatment. The results are far more hilarious than they should be. Check it after the jump!

Remember last year when Gossip Girl finally learned how to do a finale right? This year, with Monday night’s “The Wrong Goodbye,” they went us one better: not only was Georgina on the scene to wreak adorably unhinged havoc, she sniffed out a kindred in a matter of minutes. Attagirl. Otherwise, Serena and Dan finally admit the truth, Blair gets her fairytale, and Chuck and his beloved get back together in style. AND my prediction that Ed Westwick would make up for last week’s dearth of exquisitely expressive faces proves so right I may have to get a swooning couch.

Not unless the thing was twisted and nasty, in which case my help could prove invaluable.

Vanessa and Serena have teamed up to find Charlie. Vanessa doesn’t know that Serena’s a certified crime fighter, so she’s boo-hooing all Serena’s ideas and generally being Vanessa up in this cab. Serena finally shuts the bickering down and decides that they should just work together until they know the status of the currently unfolding murder-suicide they’ve imagined. Also, as suspected, Charlie Single White Female-d her roommate in college. That was her bugaboo.

Some of our dear readers have been asking me why I haven’t returned to recapping Supernatural since . . . oh, 2010. That is a long time, isn’t it? So, it looks like I haven’t recapped since Sam came back. Real Sam instead of my beloved Soulless Sammy. Part of is the obvious: recapping takes a long time, and I’s be busy. Part of it, and maybe the bigger part of it, is the same thing I’ve been struggling with all season: I’m just not loving Season 6. There have been good episodes here and there (stand out: “Weekend at Bobby’s”), but nothing that much seems to happen anymore. I don’t feel like we’re building anywhere (plus, Season 7?!), and “The Man Who Would Be King” just furthers my point.

I’m going to have to go way off topic here to illustrate my point, so please hang in there, because there is one.

Okay, do you remember “I am God,” Season 2, Episode 18 of Veronica Mars? It directly followed “Plan B,” which was flat out one of the best episodes of Veronica Mars ever (it might just be my favourite). “Plan B” wrapped up the mystery that had carried over from the Season 1 finale (Felix’s murder), whereas “I am God” focused on the mystery that began Season 2 (bus crash). Here’s the difference: Felix’s murder was a huge deal. Solving it was important to multiple main characters (Logan and Weevil primarily), and they all put a lot of effort into it. The bus crash, despite being a mass murder of which Veronica mistakenly initially believed she was the target, just wasn’t. It wasn’t addressed for episodes at a time, Veronica never seemed to put that much thought into it, and, aside from Meg, we didn’t really know any of the victims. Yet suddenly, five episodes from the end of the season, we’re expected to believe that not only has this unsolved mystery been on Veronica’s mind all along but also that she’s being HAUNTED by the victims. Yeah, in her dreams, but still. Haunted. It felt like the writers realized too late that they had broken the arc incorrectly over the season and jammed an episode in to correct the pacing.

I’ve left it way too late to give you a proper recap of last Thursday’s The Vampire Diaries, “The Sun Also Rises,” but feel I must write something, so here goes: relentlessly advertizing it as the episode before the season finale, even though it focused on the season-long obsession (the sacrifice) made it pretty clear to me FROM THE JUMP that we haven’t seen the last of Klaus. If I were a betting woman, I would have split my monies thusly: the sacrifice goes according to plan (for Klaus, obvs), and he spends the next episode terrorizing everyone who tried to stop him OR the sacrifice doesn’t go according to plan, and he spends the next episode terrorizing everyone who stopped him. Instead, Klaus gets everything he wants, and we’re going to spend the next episode dealing with . . . Damon’s feelings? (More on this in a minute).

Alright, so there’s some other stuff in between. Stuff like Jenna totally dying. As much as I liked Jenna, Sara Canning was wildly underused for most of the series’ run, so it’s better for the show (and the actress, I hope) to cut its losses. A lot of her scenes in this ep, outside of the serious emotional stuff with Elena, were Vampire 101, and we’ve already been through that with Vicki and Caroline (come to think of it, why no new male vampires, show?). Again, as much as I like Jenna and Canning as Jenna, we’ve done this. Let’s move on to the good stuff, like Klaus totally ripping out Jules’ heart. Admit it: you cheered. No one liked Jules, did they?

Right, Jenna. Jenna, heartbreakingly, realizes that she’s failed Elena as her guardian (it was really more of a fail by omission, in that she never knew enough about what was happening to do a better job), so she gives protecting her ward one last effort: she sinks those brand-new vampire fangs into Greta’s neck. Unfortunately, Klaus pulls her off before she can finish the job and stakes Jenna. She dies. It’s both a devastating blow and not much of one, all things considered.